![]() ![]() I'm lucky in that I haven't gotten used to a specific workflow or set of tools yet, so I'm hoping to start of with the "right" workflow for my use case, even if it involves a few manual steps. As I understand it, it would look something like the following:Ģ.) Export RAFs (without any development) into either PSD/TIFFģ.) Import the PSD/TIFF images into PS or Affinity and perform my merge, luminosity masks, retouch, etc and saveĤ.) Import the generated file from PS or Affinity into C1 (I'm assuming I can't use C1's PSD round-trip capability - since I'm working with multiple images that are being merged into one)ĭoes the above look correct? Also, and not to get into an image format debate, but is there a difference in the amount of original data that's preserved from the RAF between PSD or TIFF? In a previous post, Umberto mentioned loss of ability to recover some highlights, so I want to make sure I retain as much of the original IQ as possible as I move through my workflow. What I'm trying to figure out is what my workflow might look like if I need to do the merging (and possibly retouching) in either PS or Affinity. maybe eventually with plugins), and that's ok. Compared to most publishers, Exposure Software’s proposition is pretty simple. I understand that C1 does not do this (yet. One challenge I'm having is how to deal with merging exposure bracketed images. I've also played around with LR + PS as I try to define a good workflow. I'm new to landscape photography and am using a Fuji X-T3, so have chosen to use C1 for the RAF processing. Finale 2014 Keygen Mac Crack DOWNLOAD (Mirror 1) 2e535bee6a Keygen Finale 2014 fab tools illustrator turbocad vs autocad lt mac os x mountain lion digital. Given that, what's a good workflow for moving between the C1 and PS or Affinity? Here was my full question in the other thread: I figured I'd piggy-back on this thread as my question is relevant (also posted it here: ).Īgreed that Affinity seems to be a good tool for merging exposure bracketed/stacked images.
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